Neil Lane

Interesting 1800s PAUL VERONESE SIGNED Engraving "Venice Triumphant" FRAMED COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Paul Veronese (Paolo Caliari, known as Paolo Veronese) (Italian, 1528–1588) Title: Venice Triumphant Medium: Antique engraving on wove paper after the original by master engraver Johann Leonhard Raab (German, 1825-1899). Year: 1873 Signature: Signed in the plate. Condition: ExcellentDimensions: Image Size – 5 1/4 x7 inches. Framed dimensions: Approximately 14 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes:This is not a modern print. This impression is more than 150 years old. The strike is crisp and the lines are sharp. Extra Information:Venice Triumphant represents the rebirth of the fine arts in the Venetian Republic in the early 16th century under the Doge Leonardo Loredan, one of the most successful Doges of Venice. Artist Biography: Paolo was born in Verona – hence his nickname 'Veronese'. His father was a stonecutter and his mother was the illegitimate daughter of a nobleman called Caliari, a name the artist adopted in the 1550s. Veronese moved to Venice in the early 1550s and stayed there for the rest of his life, becoming one of the leading painters of the 16th century. He was trained in Verona by Antonio Badile (about 1518–1560) whose daughter he married in 1566. Subsequently, it seems he served a stint in the studio of Giovanni Battista Caroto (1488–about 1563/6). The roots of his style may be located in the antique architecture and sculpture of Verona, but are ultimately his own synthesis of Central and Northern Italian influences. In Venice, Titian's approach to composition, narrative, and colouring was crucial for Veronese, but his work is characterised by principles of harmony and compositional cohesion that owe as much to Raphael and the Central Italian tradition as to the Venetian. The flowing, sinuous line of Parmigianino is also an important precedent. Giulio Romano and his Venetian colleague and rival Tintoretto were also significant touchstones at various points of Veronese's career, but his outlook is ultimately classical and harmonious in a way we tend not to associate with their work, and what has come more broadly to be understood as Mannerism. For most of his career, Veronese worked for patrons, religious and secular, in Venice and the Veneto. Among his important works are the full-scale decoration of the Venetian church of S. Sebastiano (1555–around 1570), his ceiling and wall paintings for the library of S. Marco (1556–57) and the Ducal Palace (early 1550s and 1575–82), and his fresco decorations of the Villa Barbaro at Maser (around 1560), as well as a range of major altarpieces. From the 1560s onwards he also produced mythological pictures for an international clientele. One of his specialities were large-scale scenes of feasts, and one of these, a Last Supper painted for a Dominican friar in 1573 (now in the Accademia in Venice), provoked the Inquisition because it included a wealth of what the inquisitors perceived to be irreverent detail. Veronese defended the painter’s right to ‘take the same licence as poets and jesters take’. He eventually changed the title to ‘Supper in the House of Levi’, rather than revise the painting itself. Veronese ran a large workshop, assisted by his brother Benedetto and his sons Gabriele and Carlo (or 'Carletto'). They carried on his studio after his death. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 224.25 USD

Location: Cape Coral, Florida

End Time: 2024-11-27T01:05:00.000Z

Shipping Cost: N/A USD

Product Images

Interesting 1800s PAUL VERONESE SIGNED Engraving "Venice Triumphant" FRAMED COAInteresting 1800s PAUL VERONESE SIGNED Engraving "Venice Triumphant" FRAMED COAInteresting 1800s PAUL VERONESE SIGNED Engraving "Venice Triumphant" FRAMED COA

Item Specifics

Return shipping will be paid by: Seller

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money back or replacement (buyer's choice)

Return policy details:

Artist: Paul Veronese

Image Orientation: Portrait

Size: Medium (up to 36in.)

Signed: Signed

Date of Creation: 1800-1899

Certificate of Authenticity (COA): Yes

Framing: Framed

Subject: Figures, Landscape

Listed By: Dealer or Reseller

Type: Print

Year of Production: 1873

Style: Old Master

Features: Framed, Matted, Signed

Production Technique: Engraving

Print Type: Engraving

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